The Listening Guide

🎶 The listening guide: five albums, released during the past twelve months, chosen around a weekly theme ðŸŽ¶

Since the late fifties and early sixties — when greats like Sonny Rollins, Bill Evans, and John Coltrane performed and were recorded there — New York’s Village Vanguard has been a club of global renown. Widening ever so slightly our window of consideration, we look at five recently-released albums of music captured live at the legendary club: from contemporary piano greats to outstanding saxophonists and guitarists. Support Stephens via Bandcamp, Clayton and Batiste via the Blue Note and Verve stores respectively, and both ECM releases via the label shop.

Dayna Stephens – Right Now . . . Live at The Village Vanguard

Gerald Clayton – Happening: Live at the Village Vanguard

Jon Batiste ‎– Chronology Of A Dream: Live At The Village Vanguard

Ethan Iverson Quartet With Tom Harrell ‎– Common Practice

Bill Frisell / Thomas Morgan ‎– Epistrophy


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Album of the Week

Our NQ Jazz Album of the Week hears renowned saxophonist Chris Potter playing absolutely everything: drums, guitar, bass, percussion, and woodwinds. ‘There is a Tide’ was recorded over a six week period of lockdown, and Potter described the one-man experience as being ‘very absorbing and rewarding’. Check out the project via the Edition Records website.


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Classic Album

Recorded in December 1970, Hubert Laws’ Afro-Classic was the flautist’s second album for CTI records, and featured such greats as Ron Carter on bass, Bob James on electric piano, arrangements from Don Sebesky and technical input from Rudy Van Gelder. The fifty-year-old album contains a wonderful mix of jazz, classical, and funk elements, with fantastic playing and sensitive production.

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